Allen wakes up into a new dream: he’s a detective, looking for clues of the missing wise goats, apparently stars in some god-forsaken and bizarre-to-no-end circus with a ridiculously pretentious name – “Doppelganger”. Of course, he’s able to crack the case very fast – the goats haven’t really disappeared, they are just a dream like everyone else, after all, no goat has ever spoken a word, and of course, they are bound to reappear soon, again, as dreamlike forms to be sold to the public. There is an exception. In one cycle of this dream, Allen realizes that there is something beneath this circus and the point where it is placed (an underground lake runs right beneath it, some say to popular disbelief) at the time when the goats disappear. So he digs deeper. There is a connection between the goats and this mysterious fairy that had also disappeared from the circus some time (a month? two? can’t really tell) before the goats. There is this strange talk about some kind of dimension of negativity and how the goats are supposed to get the fairy out of it but it is all really messed up, and there is still no indication as to how any of it relates to the mess Allen has in his own world. Then, right at the top of the dream, Allen wakes up into yet another dream where everything is white, and he poses no questions, he has no fear, for he is free.
Sunday, July 27, 2008
Allen's Dream
Wednesday, July 23, 2008
Motivation
Monday, July 21, 2008
By the Ferris Wheel
Monday, July 7, 2008
Dark Alley Memory
A memory roams the dark alleys of this city, looking for a host to inhabit but can’t find anyone. “Where have they disappeared to?” the memory asks itself but it cannot remember – there is a different memory roaming the same street that keeps that kind of information, but memories, as always, are impervious and possibly invisible to each other, selective to the death. That other memory knows that everything is gone, that there is nothing left, but bits and scraps of the chaos it once was, yet it doesn’t give up, it will never give up, and continues to do the same thing it’s been doing for ages, floating slowly through the deserted corridors of grey buildings, looking for someone to finally remember. “There are these two wise goats…” the first memory repeats to itself again, just-in-case, to preserve the message for the next host, as it gradually falls apart in the silver light.
The Second Shard
Windows stay closed as a cold winter morning blows through the summer afternoon. The empty boulevards hiss with loneliness, the old white and yellow paint separating driving lanes growing paler with each breath. Shards of glass wiggle in piles here and there, and you can see wonderful human drawings painted and broken into their fabric. One piece holds an almost lifelike green eye; it even blinks from time to time. Another piece holds a breathing mouth, a third one is a finger pointing forever in a single direction, then twitching in a spasm of pointlessness. The afternoon gets colder, and as a crow flies over to summarize the leftovers of pretty much everything, it cows a single time, then breaks apart into a new glass puzzle, falls fifty meters down towards the asphalt, and piles up with the rest of them. A tiny glass kitty tongue tries to lick the crow’s feathers but it can’t reach that far, so it gives up eventually.
Sunday, July 6, 2008
The Beach (scene)
The First Shard
Small creatures roam through the cracks of boredom inhabiting the passengers of this train wreck wagon. Plastic eyeglasses stab stares at me, idle as molested pests pretending to hide dark secretes. The rhythm of the rail underneath our feet seems harmonic at first, but slips and cracks feed us cold reality, we’re going nowhere.